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Sense and Sensibility

It was the last episode of the BBC’s Sense and Sensibility last night, and my lasting memory of the adaption will be Hattie Morahan’s portrayal of Elinor Dashwood. For some reason even the greatest artists seem to find it easier to portray evil than good (think Milton’s Satan in Paradise Lost or Dante’s terrific and terrifying Inferno). But here Elinor Dashwood came over as a woman without peer, every last nuance of her feelings reflected on her beautiful face.

My only serious quibble with the production was that it blurred the subtlety of Jane Austen’s ending by making Marianne fall in love with Colonel Brandon at the end. In the novel it’s made quite clear that she marries him as a man “for whom she has no sentiment superior to strong esteem and lively friendship”. The irony of the plot is that it is the “sensible” sister, Elinor, who has the true feelings, remains faithful to her love throughout despair and discouragement and eventually marries him in spite of the fact that he has no fortune and few prospects, while the “romantic” sister Marianne’s strongly expressed feelings vanish away like the morning mist and she marries sensibly a man with plenty of money and a fine house.

Either way, it’s the happiest of happy endings and I love Austen’s concluding sentence:

… and among the merits and the happiness of Elinor and Marianne, let it not be ranked as the least considerable, that though sisters, and living almost within sight of each other, they could live without disagreement between themselves, or producing coolness between their husbands.

Posted on Monday, January 14, 2008 at 09:59AM by Registered CommenterSi Fractus Fortis in | Comments1 Comment

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Reader Comments (1)

So well done and enjoyable!
I look forward to tomorrow night's production.
I only wish I had the time to read the novels again and compare them to the screenplay.

January 20, 2008 | Unregistered Commenterteresa_anawim

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